FFFA - Madeleine Collins at Academy Gold Cinema Christchurch | Movies Theatre Chch Today
FFFA - Madeleine Collins
In this psychological thriller in the Hitchcockian tradition, Virginie Efira (Bye Bye Morons) deftly embodies the troubled personality of Madeleine Collins, a woman living a double life, whose identity cracks under the weight of her own lies.
The film tells the parallel stories of a woman who seems to be the perfect wife and a loving mother living between France and Switzerland. Sophisticated and elegant with a touch of suspense, Madeleine Collins sits somewhere between Vertigo and Kramer vs. Kramer, the story of a woman at the centre of two worlds that are starting to collide.
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The film tells the parallel stories of a woman who seems to be the perfect wife and a loving mother living between France and Switzerland. Sophisticated and elegant with a touch of suspense, Madeleine Collins sits somewhere between Vertigo and Kramer vs. Kramer, the story of a woman at the centre of two worlds that are starting to collide.
In this psychological thriller in the Hitchcockian tradition, Virginie Efira (Bye Bye Morons) deftly embodies the troubled personality of Madeleine Collins, a woman living a double life, whose identity cracks under the weight of her own lies.
The film tells the parallel stories of a woman who seems to be the perfect wife and a loving mother living between France and Switzerland. Sophisticated and elegant with a touch of suspense, Madeleine Collins sits somewhere between Vertigo and Kramer vs. Kramer, the story of a woman at the centre of two worlds that are starting to collide.
The film tells the parallel stories of a woman who seems to be the perfect wife and a loving mother living between France and Switzerland. Sophisticated and elegant with a touch of suspense, Madeleine Collins sits somewhere between Vertigo and Kramer vs. Kramer, the story of a woman at the centre of two worlds that are starting to collide.
FFFA - Madeleine Collins
In this psychological thriller in the Hitchcockian tradition, Virginie Efira (Bye Bye Morons) deftly embodies the troubled personality of Madeleine Collins, a woman living a double life, whose identity cracks under the weight of her own lies.
The film tells the parallel stories of a woman who seems to be the perfect wife and a loving mother living between France and Switzerland. Sophisticated and elegant with a touch of suspense, Madeleine Collins sits somewhere between Vertigo and Kramer vs. Kramer, the story of a woman at the centre of two worlds that are starting to collide.
